Poets and Critics

2011-2014 CALENDAR

2016 CALENDAR

February 4-5 EILEEN MYLES > + Feb. 4 poetry reading


2015 CALENDAR

December 14-15 FRED MOTEN > + Dec. 14 poetry reading


2014 CALENDAR

December 15-16 ANN LAUTERBACH > + Dec. 15, 8pm poetry reading

May 12-13 ANNE WALDMAN > + May 12 Poetry Reading, 8pm, Maison de la poésie de Paris : Anne Waldman & Patrick Beurard-Valdoye


2013 CALENDAR

FINAL SYMPOSIUM Dec. 11-12 COLE SWENSEN > + Dec 11 Poetry Reading, 8pm, Maison de la poésie de Paris : Cole Swensen & Nicolas Pesquès

Sept. 26-27 CLARK COOLIDGE> + Sept. 26, 8 pm Poetry/Music Reading, CLARK COOLIDGE & THURSTON MOORE, Maison de la poésie de Paris

April 11-12 MARJORIE WELISH > + April 11, 7:30 pm Poetry Reading MARJORIE WELISH & JACQUES ROUBAUD, Galerie éof, Paris


2012 CALENDAR

December 13 & 14 LISA ROBERTSON> Thursday December 13 7:30pm poetry reading with Lisa Robertson, Anne Parian and Pascal Poyet, galerie éof, Paris.

September 27 & 28 REDELL OLSEN

May 29 & 30 PETER GIZZI

March 22 & 23 CHARLES BERNSTEIN


2011 CALENDAR

September 29-30 VANESSA PLACE at Université Paris Est Marne-la-Vallée

June 30 July 1 CAROLINE BERGVALL at Université Paris Est Créteil

June 15 DAVID ANTIN at Université Paris Est Marne-la-Vallée


Flash Labels by NBT

Friday, February 8, 2013

Slide show of Marjorie Welish's paintings

video
Marjorie Welish’s abstract paintings are poststructuralist in their interplay of Repetition and Difference -- even of Deleuzean ‘differentials’ within one concept versus ‘differences’ between concepts, such as an interplay of two yellows as against not only ‘blue’ but two blues, or more recent diptychs wherein the color obtains across structural difference. Exemplary are the works in the series ‘Indecidability of the Sign Red Yellow Blue,’ which presumes the modernist topos of three primaries  red/yellow/blue only to complicate it, for instance with a gradient consisting of the same yellow but with an admixture of black, producing an incommensurate palette —as a problem of ‘translation’ (i.e, ‘carrying-over’); or likewise, a palette of primaries whose differentials of a second red, a second yellow and two other blues, raise the question of which is the true red/yellow/blue. Besides recent diptychs on panels in the studio, the accompanying slide show illustrates certain exhibitions, including a show at the Denison University Museum, in Ohio, in which a painting from 1983-84, split between predetermined serial color sequence and ad hoc improvised chromatic (dis)order, is seen to lead eventually to Oaths, Questions, the recent artist-book collaboration with James Siena. Repetition and Difference are also seen in interplay in a small collaboration, The Napkin and Its Double, in which with, shown a proposal sketched by Buzz Spector on a napkin, Marjorie produced a copy on acetate with freehand addition of a phrase, which he, delighted, proceeded to title; after which this was produced as a multiple.)


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