Sunday, March 31, 2013
This web page features several links to essays on Marjorie Welish's art (and by MW on others’ art) as well as reviews.
Artist’s statement and reprinted essays on the studio visit, The Studio Reader, (eds. Mary Jane Jacob and Michelle Grabner), University of Chicago Press, 2010.
The Opposite of Letting the Mind Wander, Keith Waldrop, Lost Roads, 1990
The Postmodern Sublime, Joseph Tabbi, Cornell University Press,
Chicago Review 56
The Oxford Companion to Modern Poetry in English, (eds., Jeremy Noel-Tod and Ian Hamilton) Oxford University Press, 2013
Poetics Journal Digital Archive(eds., Lyn Hejinian and Barrett Watten), Wesleyan University Press, 2013
A Guide to Poetics Journal (eds, Lyn Hejinian and Barrett Watten), Wesleyan University Press, 2013
SELECTED ART CRITICISM
Signifying Art, Marjorie Welish, Cambridge University Press, 1999
REVIEWED: Signifying Art, Cambridge University Press, 1999. (A Book Selection of artnet.com from November 1999-April 2000. Review: New Art Examiner (July-August 2000; CAA.reviews [e-zine], Craig Adcock, February 19, 2001; The Burlington Magazine, Merlin James, May 2001; Cahiers 71, NANM, Sylvie Coellier, 2001
“‘The Canvas Invites Writing’: Marjorie Welish on Cy Twombly,” by Terrence Diggory, American Language Association, March 21, 2003
“Big Julie Stepping Out,” Fernand Léger, Skira, 2009. Papers given at an international conference on Léger, Dijon 2004, compiled and translated. Other authors: Adami, Affron, Criqui, Lanchner, Lucie-Smith.
“Montage, Encore: Une cible mouvante,” Le Montage Dans Les Arts Aux XX et XXI Siecles (sous la direction de Sylvie Coellier),Publications de L’Université de Provence, 2008.
Zig-Zag: The art of Olivier Gourvil.” Le Quartier, France, June 2003.
“Marked Site: Then...Now,” Peter Downsbrough Retrospective, Palais des Beaux Arts, Bruxelles
“How to Undo/Redo the Object by Osvaldo Romberg,” Searching for Romberg, Slought Books, Philadelphia, 2001
“Contratemplates,”Uncontrollable Beauty, The School of Visual Arts and Allworth Press, 1998.
"Donald Judd," "Ad Reinhardt," Encyclopedia of Aesthetics (edited by Michael Kelly), Oxford University Press , 1998
“Rodchenko, Museum of Modern Art,” Textual Practice , Winter 1999
"Jasper Johns," Bomb , Fall 1996
"Lawrence Weiner," Bomb , Winter 1995‑96
"Word into Image" (interviews with Robert Barry, Martha Rosler, and Nancy Spero), Bomb, Spring 1994
"Contextualizing 'The Open Work'," Sulfur #32, Spring 1993
“Selected Writings of Barnett Newman; James Turrell: The Art of Light and Space,” by Craig Adcock, Partisan Review , Spring 1992
"Versions of Art History" (review of The Interpretation of Pictures by Mark Roskill), Salmagundi, Fall 1991
The art writing of John Ashbery and John Updike, Partisan Review, Autumn 1991
Saturday, March 30, 2013
Isle of the Signatories
Working Group in Contemporary Poetry conference notes by Richard Deming, October 9, 2009
War and Peace: Vision and Text, 2010, by Judith Goldman
For the Birds (online), August 25, 2008, by Allan Mozek
Chicago Review, Autumn 2005, John Wilkinson
Jacket (on-line), 2004, Meredith Quartermain
Boston Review (Fall 2004), Zach Finch
The Constant Critic (on-line), Ray McDaniel, 2004
The Annotated “Here” and Selected Poems
Village Voice Supplement, December 2001, 25 Best Books List
The Gig [Canada] December 2001, by Ian Hunt
Salmagundi, Summer 2001, by Terry Diggory
Jacket (on-line), December 2001, by Chris Tysh
Chicago Review, Spring 2001, by Joel Bettridge
Bomb, March 2001, by Frances Richards
"Imperturbable Things," Beth Anderson, Impercipient Lecture Series, Vol.1 No.5, June 1997.
New York Newsday: Fanfare, August 15, 1993, by Geoff O'Brien.
Ohio Review #50, 1993, by Donald Revell.
The Windows Flew Open:
Denver Quarterly, Winter 1992, Janet Bowden.
American Book Review, December 1991, by Adam Craig Hill.
Epoch, Fall 1983, by David Lehman. Newsday, December 1982, by David Lehman.
Poetry News, July 1981, by Dennis Cooper.
Parnassus, Spring/Summer 1981, by Peter Schjeldahl
St. Marks Newsletter, June 1980, by Madeline Keller.
Of the Diagram: The work of Marjorie Welish
“Faktura:The work of Marjorie Welish,” by John Wilkinson, Chicago Review, September 2009