Poets and Critics

2011-2014 CALENDAR

2016 CALENDAR

February 4-5 EILEEN MYLES > + Feb. 4 poetry reading


2015 CALENDAR

December 14-15 FRED MOTEN > + Dec. 14 poetry reading


2014 CALENDAR

December 15-16 ANN LAUTERBACH > + Dec. 15, 8pm poetry reading

May 12-13 ANNE WALDMAN > + May 12 Poetry Reading, 8pm, Maison de la poésie de Paris : Anne Waldman & Patrick Beurard-Valdoye


2013 CALENDAR

FINAL SYMPOSIUM Dec. 11-12 COLE SWENSEN > + Dec 11 Poetry Reading, 8pm, Maison de la poésie de Paris : Cole Swensen & Nicolas Pesquès

Sept. 26-27 CLARK COOLIDGE> + Sept. 26, 8 pm Poetry/Music Reading, CLARK COOLIDGE & THURSTON MOORE, Maison de la poésie de Paris

April 11-12 MARJORIE WELISH > + April 11, 7:30 pm Poetry Reading MARJORIE WELISH & JACQUES ROUBAUD, Galerie éof, Paris


2012 CALENDAR

December 13 & 14 LISA ROBERTSON> Thursday December 13 7:30pm poetry reading with Lisa Robertson, Anne Parian and Pascal Poyet, galerie éof, Paris.

September 27 & 28 REDELL OLSEN

May 29 & 30 PETER GIZZI

March 22 & 23 CHARLES BERNSTEIN


2011 CALENDAR

September 29-30 VANESSA PLACE at Université Paris Est Marne-la-Vallée

June 30 July 1 CAROLINE BERGVALL at Université Paris Est Créteil

June 15 DAVID ANTIN at Université Paris Est Marne-la-Vallée


Flash Labels by NBT

Sunday, March 31, 2013

Bibliography of/on Marjorie Welish's art work and art writing


ART
This web page features several  links to essays on  Marjorie Welish's art (and by MW on others’ art) as well as reviews. 

Artist’s statement and reprinted essays on the studio visit, The Studio Reader, (eds. Mary Jane Jacob and Michelle Grabner), University of Chicago Press, 2010.

ART Reproduced

The Opposite of Letting the Mind Wander, Keith Waldrop, Lost Roads, 1990
The Postmodern Sublime, Joseph Tabbi, Cornell University Press,
Chicago Review 56
The Oxford Companion to Modern Poetry in English, (eds., Jeremy Noel-Tod and Ian Hamilton) Oxford University Press, 2013
Poetics Journal Digital Archive(eds., Lyn Hejinian and Barrett Watten), Wesleyan University Press, 2013
A Guide to Poetics Journal  (eds, Lyn Hejinian and Barrett Watten), Wesleyan University Press, 2013

SELECTED ART CRITICISM
BOOK
Signifying Art, Marjorie Welish, Cambridge University Press, 1999
REVIEWED:  Signifying Art, Cambridge University Press, 1999. (A Book Selection of artnet.com from November 1999-April 2000. Review: New Art Examiner (July-August 2000; CAA.reviews [e-zine], Craig Adcock, February 19, 2001; The Burlington Magazine, Merlin James, May 2001; Cahiers 71, NANM, Sylvie Coellier, 2001
“‘The Canvas Invites Writing’: Marjorie Welish on Cy Twombly,” by Terrence Diggory, American Language Association, March 21, 2003

ANTHOLOGIES
“Big Julie Stepping Out,” Fernand Léger, Skira, 2009. Papers given at an international conference on  Léger, Dijon 2004, compiled and translated. Other authors: Adami, Affron, Criqui, Lanchner, Lucie-Smith.
“Montage, Encore: Une cible mouvante,” Le Montage Dans Les Arts Aux XX et XXI Siecles  (sous la direction de  Sylvie Coellier),Publications de L’Université de Provence, 2008.
Zig-Zag: The art of Olivier Gourvil.” Le Quartier, France, June 2003. 
“Marked Site: Then...Now,” Peter Downsbrough Retrospective, Palais des Beaux Arts, Bruxelles
June 2003.

 “How to Undo/Redo the Object by Osvaldo Romberg,”  Searching for Romberg, Slought Books, Philadelphia, 2001
“Contratemplates,”Uncontrollable Beauty, The School of Visual Arts and Allworth Press, 1998.

ENCYCLOPEDIA
"Donald Judd," "Ad Reinhardt," Encyclopedia of Aesthetics (edited by Michael Kelly), Oxford University Press , 1998

JOURNALS
 “Rodchenko, Museum of Modern Art,”  Textual Practice ,  Winter 1999
"Jasper Johns," Bomb , Fall 1996
"Lawrence Weiner,"  Bomb , Winter 1995‑96
"Word into Image" (interviews with Robert Barry, Martha Rosler, and Nancy Spero),  Bomb,  Spring 1994
"Contextualizing 'The Open Work',"  Sulfur #32,  Spring 1993
“Selected Writings of Barnett Newman; James Turrell: The Art of Light and Space,” by Craig Adcock, Partisan Review , Spring 1992
"Versions of Art History" (review of The Interpretation of Pictures by Mark Roskill), Salmagundi, Fall 1991
The art writing of John Ashbery and John Updike, Partisan Review, Autumn 1991

ON-LINE

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